Tellier/Oizo/Sebastian - Steak (2007)

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Steak is an experimental mainstream feature film that has sprung from the deranged mind of Quentin Dupieux (aka Mr Oizo) and is co-produced by French celebrities Eric & Ramzy. The soundtrack consists of 21 iconoclastic pieces influenced by classic French soundtracks (Francois de Roubaix, Hubert Rostaing, Vladimir Cosma, and Raymond Lefevre for "La Soupe Aux Choux"), a few epiphanies typical of the new French electro scene, and some totally assumed cravings for pop.

21 mini-scenes, between 40’ and 2’30 long (only ‘Expoités’ lasts over 3 minutes) that regenerate the world of soundtracks in a colorful, springy and quirky way.

Deadly Death: Little Deaths

One essential song for your ear holes each and every day. Forever.

The Andrew Oldham Orchestra - The Rolling Stones Songbook (1966)

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At the time, Andrew Loog Oldham must have looked the right part for releasing this record. It was such a nod to the square culture that the Rolling Stones were attempting to wipe away that you had to figure it for a joke. Sure, there were symphonic Beatles records, but somehow that was to be expected from them. Not the Stones -- no, they were rebels. Oldham was brought up on middle-of-the-road sounds and orchestral soundtracks as a kid, though, and making this album was a dream come true for him -- one that the huge success of his charges could make happen. He was also in love with the huge sound of Phil Spector and was directly inspired by the sound of Jack Nitzche's instrumental album, The Lonely Surfer. With the help of arranger David Whitaker, Oldham made a record that paid homage to all of those influences, and 40 years later it sounds quite good. It even rocks surprisingly hard at times, thanks to the wise move of having crack session men like Nicky Hopkins, John Paul Jones, Big Jim Sullivan, and John McLaughlin provide the underpinnings.

Their grit gives the MOR orchestral strings and vocal choruses something rough to rub up against on uptempo tracks like "Satisfaction," the dramatic love songs like "Tell Me," and the moody ballads like "Play with Fire," "You Better Move On," and a very tough and powerful "Heart of Stone." Indeed, apart from a couple of breezy lounge-ready tracks like an Esquivel-ian "Time Is on My Side" and the Oldham original "Theme for a Rolling Stone" (which really should have been called "Love Theme for a Rolling Stone"), Whitaker and Oldham were actually playing for keeps, creating emotionally powerful and musically far-reaching works that sound a little corny at times but more often sock you right in the gut. And when you aren't expecting it, those are the punches that leave the most impression. Nowhere is that more evident than on "The Last Time," the song that the Verve sampled for "Bittersweet Symphony" in 1997. The Andrew Oldham Orchestra's original has all the grandeur and passion of the Verve's track, minus the trip-hop beats and trite lyrics. It's quite a surprise to modern ears that it outshines the remake, and it's an equally shocking surprise that this album is more than just a curiosity. Instead, it is a vital artifact that Stones fans and devotees of '60s pop should hear at least once. It might even become a mainstay of your hidden-treasures list. - AMG

Pink Floyd - Interstellar Overdrive (1966-1968)

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As an exploration of Pink Floyd's early history, this 17-song bootleg has virtually no peer -- beginning with "Lucy Leave," a crunchy two-chord Syd Barrett-authored rocker dating from the group's first session in October 1966, it just grabs listeners and never lets them go. The group's version of "I'm a King Bee" shows more inventive guitar work than, say, the Rolling Stones' rendition of two and a half year earlier. And from those two jewels out of the group's pre-history, the disc roars into the alternate takes from their more familiar earlier psychedelic period -- the January 1967 long version of "Interstellar Overdrive," the A- and B-sides of the early singles (including a remastering of "Candy and a Currant Bun" that sounds like the guitars are in the room with you); alternate (and delightfully strange) mono mixes of "Flamingo" (with delightfully upfront phasing of the guitars, drums, and voices), "Scarecrow," and "Interstellar Overdrive"; plus stereo mixes of "Apples and Oranges" and "Paintbox"; and odd Syd Barrett outtakes from the period of his exit out of the band and his early solo work.

Satyajit Ray - Charulata (1964)

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Charulata (released in the English-speaking world as The Lonely Wife), when pressed, Ray would choose as his best ever. The film tells the story of a lonely housewife, known as Charu, who lives a wealthy, secluded and idle life in 1870's Calcutta. Her husband, Bhupati, runs a newspaper, The Sentinel, and spends more time at work than with his wife. However, he notices that Charu is lonely, and asks his cousin, Amal, to keep her company. Amal is a writer and is asked to help Charu with her own writing. However, after some time, Charu and Amal's feelings for each other move beyond those of a mentoring relationship. Scandalous!

Five songs totaling not even eight minutes in length, the musical score of this movie was composed entirely by the director himself, Satyajit Ray. Worth a listen for Charu's theme alone - a song made popular in 2007's The Darjeeling Limited.

Gavouna - Stings & Dum Machines (2005)

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I really feel like more people should be aware of this fine album, and Gavouna in general. It's a fantastic record and if you like it please go out and support the artist.

Gavouna is the alias of Athens-born, London based Athanasios Argianas, who studied under a pupil of Xenakis and Berio. Here he gives us his utterly charming (if r-phobically titled) Stings & Dum Machines. While short at 37 minutes, the ten instrumentals on Argianas's debut enter with sinuous melodies and timbral arrangements of strings, electronics, mallet percussion, and, yes, drum machines. The album's distinctive sound is attributable to Argianas's rather retrograde sound sources (i.e., antiquated electronics) and, as a result, Gavouna's music sounds 'hand-made,' even if that's not literally the case.

What makes the album most captivating, however, is not just its unusual sound but the caliber of its compositions. The orchestral folk swing of “Three” is a prime example. Featuring animated vibes melodies and Konrad Köhler's multi-layered strings, the unusual yet engaging piece captures some flavour of Argianas's Athens, Greek heritage. A similar impression emerges in “One Four” when strings (violins, cellos) and horns (trumpets) etch dreamy Eastern melodies. In the emotionally arresting “Leo & Lydia,” the deep bowings of an aching cello introduce a veritable orchestra of see-sawing strings, with the composition further distinguished by a mournful warble that pierces the song's electronic haze. Similar theremin-like electronics dominate the becalmed setting “Ondespiece,” while a lush string- and horn-centered arrangement in the melancholy “Lament” (based on Isan's “Kittenplan A”) makes for a memorable outro. Given its almost cinematic aura, one could easily hear Stings and Dum Machines as the regrettably lost soundtrack to a 1970s Greek film.

Mulatu Astatke

Download Mulatu Astatke - Afro-Latin Soul Vol. 1 & 2 (1966)
Download Mulatu Astatke - Mulatu of Ethiopia (1972)
Download Mulatu Astatke - Ethiopiques Vol. 4 (1998)
Download Mulatu Astatke - Emnete EP (2005)

In the late 1990s the French label Buda Musique released Volume Four of it’s Ethiopiques series; a series that focused attention on the fertile but overlooked musical era of Ethiopian popular music (1968 to 1974), for which band-leader/composer/arranger/musician Mulatu Astatke was a pivotal figure. This volume was the first in the series to focus on an individual artist, as well as the first to be made up entirely of instrumentals.

What Mr. Astatke created during that era was a unique amalgamation of musical ideas — successfully integrating the melodies of Ethiopia with the jazz and Latin music he fell in love with while performing and studying abroad. His compositions, beautiful in their simplicity, have a smoky late-night vibe; while his arrangements combine percolating Latin percussion, choruses of swirling Middle Eastern horns, Hendrix style guitar sounds and his own liquid organ and vibe playing to form a dense and intoxicating groove. Essential.

Bullion - Pet Sound: In The Key Of Dee (2007)

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London producer Bullion has taken his sample inspiration from two very different sources for this free remix album Pet Sounds: In the Key of Dee. Using samples from the great Pet Sounds and J Dilla’s repetoire, Bullion has created something wholly unique and refreshing. It’s not a mashup album as he at pains to point out, but it does mix samples from these two artists to great effect. The ultimate kudos must go to Bullion however, who spliced and diced these samples with his own superb production.

I fucking love it. Nightly.

Harmonia - Live (1974)

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This archival live set catches Dieter Moebius, Roedelius, and Michael Rother at their most expansive and free form, pushing deeper into the territory they had begun exploring on Musik Von Harmonia before their work coalesced into De Luxe's more structured, glossier pieces. The emphasis here is on experimentation and process, rather than end product: guitar, keyboards, synths and machine-generated beats abandon rock's narrow narrative path in favor of hypno-minimalist soundscapes whose melodic and rhythmic patterns nod to the likes of Terry Riley.

Combining repetition and incremental change in seamless, kaleidoscopic configurations, these five previously unreleased tracks take listeners on proto-ambient trips into inner and outer space. Such mind-expanding excursions clearly suited the rapt audience members (gathered in a decomissioned German train station), who don't make a sound for the duration, save for the occasional cough (In fact, Michael Rother claims in the press release that the show was attended by a good 50 or so people, who were too stoned to even applaud, or who couldn't work out where the songs ended. That makes sense: the five lengthy tracks here stretch out to between nine and 17 minutes each, but have an enveloping momentum that makes them feel like they are - or at least should - go on forever.)

Like Harmonia's studio work, this live document underscores the trio's ability to paint in both intricate and broad strokes, generating engrossing detail as well as larger environments. Two tracks in particular dramatize this: living up to its title, the exquisite "Arabesque" belies its five-minute duration, spinning out an ornate sonic mandala that seems to extend infinitely; "Schaumberg" mesmerizes with precise, decorative keyboard arpeggios and oscillating rhythms as Rother layers fluid, wandering guitar textures. Even at its most epic, Harmonia's material is never less than spellbinding: the quarter-hour "Holta-Polta" chugs relentlessly through dark, disquieting industrial dub terrain, while the 17 minutes of "Veteranissimo" are an exhilarating Motorik ride from start to finish.

More than 30 years after Harmonia's original studio recordings, the rediscovery and release of this long-buried treasure reiterates quite emphatically how hard it is to overstate the band's pioneering influence: from Eno and Bowie -- as Another Green World, Low and Heroes attest -- through subsequent generations of artists charting the intersections of rock, pop, and electronic musics.

The Birds - Say Those Magic Words (1997)

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A personal fave' - The Birds included a very young Ronnie Wood on guitar, vocals and harmonica,Tony Munroe on guitar/vocals, Kim Gardner on bass, Ali McKenzie on vocals and Pete McDaniel on drums.

Their first single written by Wood came out on Decca in November 1964 and for the next two 45's they recorded a couple of Soul numbers but transformed them totally into powerful tunes with the inimitable Birds' aggression! The B-sides were great too, both written by Ronnie Wood.

By the end of 1965 they were changing label and manager and their fourth final single was released on Reaction in 1966 actually as the Birds Birds after a suggestion by their new manager Robert Stigwood following their failed legal battle over the band's name when The Byrds toured England the year before...

They also appeared on the film "The Deadly Bees" in 1966 with the great unreleased track "That's All I Need You For" and while they recorded few more songs nothing came out and eventually by 1967 it was all over. Both Kim Gardner and Ron Wood joined The Creation in 1968.

The Top 10 Records I Downloaded Because Of Their Names (2008)

By Jean "Fuck You" Williams

Musicblogs are awesome.. it seems like the availablity of free hosting spacing is returning the internet to the old-days Wild West that it used to be in the late 90's... it's become part of my morning ritual to check a few blogs I like and download a few new records and listen to them throughout the day. I have, while doing this, stumbled across a few records whose names compelled me to download them. Sometimes this leads to great discoveries, sometimes this leads to crushing disappointment. The albums weren't all good. They were mostly un-good. One constant is that their names were great. And because nothing could be more fascinating to you than me, here's a list of them:

10. Gay for Johnny Depp - The Politics of Cruelty

What I Imagined This Record To Sound Like: Angry gay people or perhaps straight people who think gayness is funny, but are still angry. Definitely males either way.

What It Actually Sounded Like: Hard to determine; but gayness appears to be ironic rather than actual.

09. Asian Kung Fu Generation - World World World

What I Imagined This Record To Sound Like: More power-pop bullshit.. but I had to be sure.

What It Actually Sounded Like: I wish I could un-hear this.

08. Videohippos - Unbeast The Leash

What I Imagined This Record To Sound Like: Hyperactive and Japanese.

What It Actually Sounded Like: Wrong again. I love this record though. Synths and distorted guitars and awesome drumming but really hopeful sounding... on helium as well.

07. My America Is Watching Tigers Die - Narratives

What I Imagined This Record To Sound Like: Jerkoff artrock full of weltschmertz

What It Actually Sounded Like: I was wrong. It's total screaming heroin metal. I kind of like it. Nothing jerkoffy about it, that's for sure.

06. 65 Days of Static - The Fall Of Math

What I Imagine This Record To Sound Like: Annoying noise

What It Actually Sounded Like: Awesome! Squarepusher meets Do Make Say Think. Highly recommended.

05. The Masters of Ceremony - Sexy (downloaded because it had a track called "Yellow Panties")

What I Imagined This Record To Sound Like: Smooth Sex Jams

What It Actually Sounded Like: The soundtrack to the feature film "House Party". Your mileage may vary.

04. Joe Lean and the Jing Jang Jong - Lucio Starts Fires

What I Imagined This Record To Sound Like: Pop rock / Pots and pans falling down the stairs

What It Actually Sounded Like: Jangly Pavement

Listening Notes: To fully appreciate the awesomeness of this name, say "Jing Jang Jong" out loud. I would advise you not to do this around Asians however.

03. Portugal, The Man - It's Complicated Being A Wizard

What I Imagined This Record To Sound Like: I have to admit I didn't really care what this sounded like. The awesome band name coupled with a title that I am both amused by and can TOTALLY relate to made this a necessary download.

What It Actually Sounded Like: Bright Eyes meets Xiu Xiu; so.. pale dudes crying on a Yamaha DX-7 inbetween guitar lessons. In a good way; sorta.

02. Ham Sandiwch - Carry The Meek

What I Imagined This Record To Sound Like: The Best Thing In The World

What It Actually Sounded Like: EXACTLY AS I SUSPECTED

01. I Shit On Your Face - Anal Barbeque

What I Imagined This Record To Sound Like: Sludge Metal about coprophagia and baby-killing

What It Actually Sounded Like: I was too scared to download this; if someone has the guts, let me know. As it stands, I'm content to know a record with this name exists, full stop.

The Beach Boys - Landlocked (1970)

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The bootleg called Landlocked by the Beach Boys is a much circulated, rejected version of what would eventually become Sunflower. After leaving Capitol Records in 1969, the band compiled an album's worth of demos and recordings for approval by their new label. In 1970 Warner/Reprise smartly demanded that the band continue work on new songs. The Beach Boys went back to the drawing board, abandoning the Landlocked songs at the time. (A second rejected "version" is available in bootleg form as Add Some Music to Your Day.)

Some of the songs in Landlocked remained unreleased for decades while others made their way onto future Beach Boys albums. "Take a Load off Your Feet," "'Til I Die," and "Lookin' at Tomorrow" were first heard on Landlocked but made it onto Surf's Up. "Good Time" was eventually recorded for Love You, "Big Sur" was released on Holland, and Mike Love's "When Girls Get Together" was heard on 1980's classic Keepin' the Summer Alive. Other songs like "I Just Got My Pay" stayed in a vault until the release of the Good Vibrations: Thirty Years of the Beach Boys box set in 1993. Standout tracks include "Loop De Loop" which was a collaboration between Brian Wilson and Van Dyke Parks (later heard on Endless Summer Soundtrack) and "Lady" which was a Dennis Wilson composition.

Clearly, this is a record for diehards only. It is worth tracking down for Beach Boys fans who are interested in their recording process, especially in the post-Pet Sounds world where other members like Dennis and Al Jardine began taking a more active role in the group. Landlocked is the only time when these songs fit into their original context. To that end the well-developed demo of "'Til I Die" is fascinating. It is perhaps the best song on this bootleg and fit in perfectly on their 1971 album. But here is where it first appeared. - AMG

Teenage Fanclub - Teenage Fanclub Have Lost It EP (1995)

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Not much to be said about this one. A tasty little acoustic, four song, EP from Australia. Well, from Teenage Fanclub, but released in Australia. Ahhhh Australia.

You know a funny thing about Australians... in Australia, pancakes are served at dinner rather than breakfast! I mean, seriously? Also, Australians don't have electricity, cars, public transit, dentists, and have never heard of pizza! Anyway, I kinda think this EP is of the promo variety, so enjoy it.

Pink Floyd - The Complete Zabriskie Point Sessions (2004)

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This album containins 15 outtakes from the famous sessions for the Antonioni cult classic.

After recording for several days, only three songs ended up on the official soundtrack. Over the years several outtakes appeared on dubious and soundwise poor bootlegs. In 1997 a revised edition of Zabriskie Point was released, including four previously unreleased Floyd takes. But there was more, much more as this release proves. No less than fifteen outtakes you never heard before in this quality.

R.I.P. Richard Wright 1943-2008
Wright died of an undisclosed form of cancer in his home in Britain on 15 September 2008. He was 65 years old. At the time of his death, he had been working on a new solo album, which was thought to comprise a series of instrumental pieces.

Bandmate David Gilmour said: "In my view, all the greatest Pink Floyd moments are the ones where he is in full flow. No-one can replace Richard Wright - he was my musical partner and my friend." He added: "In the welter of arguments about who or what was Pink Floyd, Rick's enormous input was frequently forgotten. He was gentle, unassuming and private but his soulful voice and playing were vital, magical components of our most recognised Pink Floyd sound. Like Rick, I don't find it easy to express my feelings in words, but I loved him and will miss him enormously. I have never played with anyone quite like him."

The Velvet Underground - And So On (1982)

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As with most stories regarding the history of the Velvet Underground, the tales behind each of the songs presented here are fascinating."It's Alright (The Way That You Live)" and "I'm Not Too Sorry" are among the very first recordings ever made by the Velvets, and they are among the prettiest melodies that Lou Reed has ever written.

According to Sterling Morrison, these songs were recorded in an unheated studio on Broom St. in New York City in the winter of 1966, "probably in November or December." They were recorded on a wobbly Wollensack tape machine, intended as demos to copyright the songs. Maureen Tucker had already joined the group, but did not play with them when these tapes were made."

"Guess I'm Falling In Love" is not the same version as the track from the "Peel Slowly And See" box set. "Pale Blue Eyes" is from La Cave, October 2, 1968 tape - it doesn't include the false start but has the famous alternate lyrics. "Stephanie Says" is different mix than official LP "VU" version.

This bootleg was published in 1982, reissued in 1983, then in 1990, some on green vinyl, some on marble purple/multi-color.

The Kinks - Rare, Unreleased, Demos, Outtakes & More (1963-1969)

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The Kinks, probably more than most of the great Sixties British bands, have too often been the victims of merciless, and at times brainless recycling at the hands of record labels.
Here are many of their lesser known works and alternate recordings. A good few of these have appeared on bootlegs, and American releases such as the ‘Kink Kronikles’ and ‘Great Lost Kinks Album’. Others were recorded for albums that never quite materialized (ie. Dave Davies solo album) or were only available only in demo form.

In recent years, the Castle reissues have resurrected some of these as bonus tracks. For the uninitiated, this can be frustrating, because no attempt has been made to explain the origins of songs, or place them into a meaningful context. 34 tracks in all, track listing in comments.

Broadcast - Live (1997-2005)

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As we patiently wait for the next Broadcast album to come and make our lives better I thought I might post this little collection of live tracks that have been accumulating on my computer. 18 cuts in all;

KEXP Session (2005)
01 I Found The F
02 Corporeeal
03 Black Cat
04 America's Boy

Lamacq Session (1997)
05 Come On Let's Go
06 Look Outside
07 The Book Lovers
08 Lights Out

Peel Session (2000)
09 Long Was The Year
10 Echo's Answer
11 Where Youth & Laughter Go I Am Not Welcome

Queen Elizabeth Hall (1998)
12 Intro
13 Come On Let's Go
14 Look Outside
15 Papercuts

One Music Session (2005)
16 America's Boy
17 Michael A. Grammer
18 Tender Buttons

Enjoy! And if you don't yet own their albums, go out and buy them all right now.

Joe Meek - I Hear A New World (1960)

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Basically, Joe Meek assembled a group he christened The Blue Men for the recording of I Hear a New World, insisting that they dress in silver space suits and paint themselves blue. He communicated his ideas for the album through recordings of himself humming the tunes and playing out the rhythms by tapping a spoon on a plate. Unfortuneatly, Joe was completely tone deaf and blessed with absolutely no music ability to speak of. The incongruity of moronically tuneless humming and randomly spoon-smacked plates has made these tapes legendary.

The basic ingredients for the recording of the album were a Hawaiian guitar (an highly off the wall instrument for a country band at the time), The Blue Men rhythm section and a deliberately out of tune piano. Meek fleshed out the songs with treatments of the sounds of bubbles blown through drinking straws, his toilet flushing backwards and electrical circuits shorted together.

If all this sweetness doesn't make you want to check this album out, nothing will. And I give up on you.

Serge Gainsbourg - Les Annees Psychedeliques (1966-1971)

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All of that sloppy french sexiness from the last Mr. Flash post sure got my juices flowing... so in keeping with that moist, gushy theme I figure I'd post this tasty sweet treat. You know in France, even today, food is generally eaten by hand, meats being sliced off large pieces held between the thumb and two fingers. Their sauces are highly seasoned and thick, heavily flavored mustards pies are also a common banquet item, with the crust serving primarily as a container, rather than as food itself, and it was not until the very end of the Late Middle Ages that the shortcrust pie was developed. Meals often end with an issue de table, which has now evolved into the modern dessert, and typically consists of dragees (in the Middle Ages meaning spiced lumps of hardened sugar or honey), aged cheese and spiced wine, such as hypocras! So I suppose one could deduce that the French invented dessert - and this album is kinda like dessert for the ears... Weird huh?

This package pulls together some of the best tracks by Serge from a host of late 60s and early 70s albums -- including some of his super-rare French soundtrack work -- from movies that include Le Pacha, Anna, Ce Sacre Grand-Pere, Cannabis, and Manon 70! The double-length set is overflowing with great grooves, tracks done with that subtly funky style that Serge cooked up with arrangers Michel Colombier and Jean-Claude Vannier. All topped with that breathy, nearly-spoken style that makes Gainsbourg so great. A few of the most break-heavy cuts are even presented with special bonus beats.

Titles include "Requiem Pour Un Con", "Je N'Avais Qu'Un Seul Mot A Lui Dire", "New Delire", "Pas Mal Pal Mal Du Tout", "Chanson Du Forcat", "Danger", "Premiere Blessure", "L'Alouette", "No No Yes Yes", "Breakdown Suite", "Psychastenie", "Boomerang", "Photographes Et Religieuses", "Generique Pop 2", and "En Melody"

Mr. Flash - Monsieur Sexe (2005)

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Voici quelques bouts doux de préparation de potage : Dans le grand pot, faites cuire le lard jusqu'à ce que des chips. Transfert à la serviette de papier et mis de côté. Jetez tout sauf la graisse de 1 cuiller à soupe du pot. Ajoutez les carottes, les poblanos, l'oignon, les jalapenos, l'ail et le cumin ; sauté jusqu'au brun d'or.

Ajoutez les pommes de terre, le bouillon de poulet et le sel. Apportez pour bouillir. Réduisez la chaleur pour maintenir doux fermentent, couvrent le pot et le cuisinier pendant 25 minutes, ou jusqu'aux pommes de terre sont tendres. Dans la cuvette, battez graduellement le lait dans la farine jusqu'à ce que le mélange soit lisse. Battez lentement le mélange de lait dans le potage. Faites cuire la chaleur moyenne finie, remuant de temps en temps, jusqu'à ce que du potage soit épaissi, environ 12 minutes. Enlevez le pot de la chaleur. Ajoutez les fromages, remuant jusqu'à fondu. Émiettez-vous le lard réservé. Puisez le potage dans des cuvettes et complétez avec le lard et l'oignon vert.

I have no idea what all that sexy french talk is about, nor do I really care... all you need to know is that you should go ahead and download this fantastic little promo release. It's chock-full of fuzzy french goodness.. managing to slide in and out of a handful of classics, including tracks like Serge's L'hotel Particulier, a personal fave.